Bibliographic record
Abstract
Contents Foreword by John Greyson Introduction Films by Gays for Gays: A Very Natural Thing, Word is Out, and The Naked Civil Servant (1977) Gays and Straights, Film and the Left: A Dialogue. With Chuck Kleinhans (1977) Rainer Werner Fassbinder, (1976-1977) A Fag-Spotter's Guide to Eisenstein, (1977) Derek Jarman's Sebastiane, (1978) Medical Thrills: Born a Man ... Let Me Die a Woman, (1978) Murnau: The Films Behind the Man, (1978) An Unromantic Fiction: I'm Not From Here, by Harvey Marks (1979) The Gay Nineties, The Gay Seventies: Sampere's Ernesto and von Praun-heim's Revolt of the Perverts, Army of Lovers (1979) Montgomery Clift Biographies: Stars and Sex, (1979-80) Gay Cinema, Slick vs. Real: Chant d'amour, Army of Lovers, We were One Man, (1980) Nighthawks, by Ron Peck and Paul Hallam, (1980) A Saturday Night Surprise: Burin des Roziers' Blue Jeans, (1980) Caligula, (1981) Taxis and Toilets: Ripploh and his Brothers, (1981) Bright Lights in the Night: Pasolini, Schroeter, and Others (1981) Patti Duke and Tasteful Dykes (1982) Two Strong Entries, One Dramatic Exit: Luc ou la part des choses, Another Way, and Querelle (1982) Hollywood's Change of Heart? (Porky's and The Road Warrior) (1982) Dreams, Cruises and Cuddles in Tel Aviv: Amos Gutmann's Nagua, (1983) Hauling an Old Corpse out of Hitchcock's Trunk: Rope (1983) Sex Beyond Neon: Third World Gay Films? (1985) Fassbinder Fiction: A New Biography (1986) Ashes and Diamonds in the Year of the Queer: Decline of the American Empire, Anne Trister, A Virus Needs No Morals, Man of Ashes (1986) The Kiss of the Maricon, or Gay Imagery in Latin American Cinema, (1986-87) Laws of Desire: Maurice, Law of Desire, Vera (1987) Two Great Gay Filmmakers: Hello and Good-bye (1988) Beauty and the Beast, Take Two (1988) Whipping Up a Cinema (1989) Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992) In Memoriam: Vito Russo, 1946-1990 (1991) We're Talking, Vulva, or, My Body is Not a Metaphor (1995) Walking on Tippy Toes: Lesbian and Gay Liberation Documentary of the Post-Stonewall Period 1969-1984 (1995-97) Archeology and Censorship (1997) Bibliography: Selected Additional Works Index
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.003 | 0.010 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.005 | 0.003 |
| Science and technology studies | 0.008 | 0.011 |
| Scholarly communication | 0.009 | 0.007 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.002 | 0.004 |
| Insufficient payload (model declined to judge) | 0.014 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".