MétaCan
Menu
Back to cohort
Record W1552560587

Sounding John Thompson’s White Noise

2011· article· en· W1552560587 on OpenAlexaffvenueabout
George Elliott Clarke

Bibliographic record

VenueStudies in Canadian Literature · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsPoetryPoliticsPound (networking)White (mutation)LiteraturePostmodernismArt historyArtPhilosophyHistoryLaw
DOInot available

Abstract

fetched live from OpenAlex

John Thompson and Malcolm X may have more in common than coincidences in their respective biographical histories. Although generally overlooked as a political poet, Thompson, superb writer of the Tantramar, employs images of black and white, dark and light in his writings to engage with specific conceptions of race and imperialism – developed more explicitly in the theoretical work of Toni Morrison and Frantz Fanon – that informed the tumultuous political climate of his and X’s era. As a former student of psychology, the English-born, U.S.-educated Thompson would have been aware of the fundamental significance of blackness and whiteness in Western society, and many of his poems develop an idea of whiteness as a facade that works to obscure a primal or fundamental blackness. This exploration of the darker recesses of Thompson’s poetry draws him more clearly into the company of his primary influences, themselves all highly political writers: English-language poets Ezra Pound, William Butler Yeats, and Dylan Thomas; French poets Charles Baudelaire, Arthur Rimbaud, and Rene Char; and Quebecois poets Roland Giguere and Paul-Marie Lapointe.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.028
Threshold uncertainty score0.056

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.007
Scholarly communication0.0050.003
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.077
GPT teacher head0.278
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes3
Has abstractyes

Explore more

Same venueStudies in Canadian LiteratureSame topicPoetry Analysis and CriticismFrench-language works237,207