Robbie Peters. <i>Surabaya, 1945–2010: Neighbourhood, State and Economy in Indonesia’s City of Struggle</i>. Singapore: NUS Press, 2013, 272 p.

Surabaya, 1945-2010: Neighbourhood, State and Economy in Indonesia's City of Struggle ROBBIE PETERS Singapore: NUS Press, 2013, 272 p.Before moving to Jakarta, I lived in Surabaya as a student from 1982 to 1990. The Surabaya of then was just beginning to represent itself as a world class city with the new landmarks of Tunjungan Plaza and later Delta Plaza, forming a belt of international hotels, offices, and shopping malls around kampung neighborhoods. Little did I realize that the city then was undergoing a major transformation marked by a shift from a city of work to a space of consumption. Robbie Peters came to Surabaya almost a decade later but at a most critical time in the history of the city during the fateful year of 1998. He thus understood especially well how the aftermath of 1998 (and what came before) had triggered a series of unprecedented crises in the forms of ninja, terrorism, and urban renewals all of which have profoundly shaped the neighborhood of Dinoyo-the subject of his study.Surabaya, 1945-2010 focuses on a kampung where people live a life at the margins of center of the city across different socio-political fields of postcolonial Indonesia. This neighborhood is specific in its proximity to factories and later shopping malls which took advantage of their labor, but the people in the kampung are more informal workers than proletariats. This set the stage for Peters to show the uneven relations between the kampung and the city as a kind of tension-filled duality that represents the larger relation between people and the state. Sometimes it appears we are being offered a choice between seeing Dinoyo surrender to the bureaucratic rationality of the state or stay with their kampung ethos of solidarity. The choice seems clear when outside in the street lurks the world of state power and capitalist modernization.Consistent with the interest of anthropologists, Peters shows how Dinoyo kampung is given substance of neighborliness through the practices of slametan (feast-giving) to observe important events that happen in one's life such as death, marriage, and birth, which at once constitute a sense of solidarity and community. Peters however, does not regard kampung as inherently coherent or harmonious, indeed he believes its formation to be an outgrowth of control and crisis, territoriality and domination against which slametan continues to be enacted. This kind of formulation allows politics (rather than culture) to play a significant part in the book. Surabaya, 1945-2010 is thus, an anthropological book that goes beyond anthropology, or better yet, it is a book that represents the best side of the discipline. Against the depiction of culture as a timeless way of living, Peters takes seriously the historical dimension of the kampung cultures, making them part of the violence of the national time as he emphasizes social change while identifying key practices that continue to be reproduced for self-definition and self-defense.The first two chapters already show the coordination of time and space. They introduce Dinoyo within the changing context of Indonesia and see it as a third space beyond the confrontation between the city and the village which constitutes the essence of an urban kampung. The story starts from chapter 3 which sets the tone of the book by offering a chilling account of the 1965 purge of the communists and its associated space of kampung. Peters narrates the story (in this and other chapters) through the memories of people he got to know such as Eko, Rukun, Neng, and Arifin to show how Dinoyo is never a coherent space. The politics that culminated in the purge of 1965 did radically change kampung lives. This chapter raises questions of how the terror of 1965 affects the subsequent development of the Dinoyo. What do the inhabitants think about their communities, old and new? In the context of 1965, what do we mean by the subsequent Kampung Improvement Project (KIP)? …

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