MétaCan
Menu
Back to cohort
Record W1560359820

Aspects of experimental design for the perceptual evaluation of violin qualities

2011· article· en· W1560359820 on OpenAlexaffvenue
Charalampos Saitis, Bruno L. Giordano, Claudia Fritz, Gary Scavone

Bibliographic record

VenueCanadian acoustics · 2011
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsMcGill UniversityCentre for Interdisciplinary Research in Music Media and Technology
Fundersnot available
KeywordsViolinPreferencePerceptionTask (project management)Session (web analytics)Computer scienceDuration (music)Quality (philosophy)PsychologyEngineeringAcousticsMathematicsStatisticsSystems engineering
DOInot available

Abstract

fetched live from OpenAlex

A method for the perceptual evaluation of violin qualities is presented. To obtain reliable results from quality assessments, it is important to consider the statistical validity of the experimental procedure. The number of players can be maximized to better estimate the extent of inter-subject differences. For the purposes of our experiment, twenty violinists with at least fifteen years of performance experience were selected. Maximizing task repetitions as much as possible is desirable, but there are logistical constraints such as the total duration of the experimental session or physical limitations such as fatigue that must also be considered. Although having many repetitions can help reduce the experimental noise in the data, fatigue may have the opposite effect. Participants were asked to play the different violins and order them by preference. Results indicate that violin players are relatively self-consistent when evaluating different instruments in terms of preference.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.052
metaresearch head score (Gemma)0.095
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: none
GenreCandidate signal: Methods · Consensus signal: Methods
Teacher disagreement score0.052
Threshold uncertainty score0.273

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0520.095
Meta-epidemiology (narrow)0.0040.003
Meta-epidemiology (broad)0.0030.002
Bibliometrics0.0020.002
Science and technology studies0.0030.003
Scholarly communication0.0020.001
Open science0.0030.002
Research integrity0.0040.006
Insufficient payload (model declined to judge)0.0240.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.153
GPT teacher head0.302
Teacher spread0.150 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designBench or experimental
Domainnot available
GenreMethods

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes2
Has abstractyes

Explore more

Same venueCanadian acousticsSame topicMusic Technology and Sound StudiesFrench-language works237,207