Identity Across Genres, Across Communities: Two Musical-Theatre Adaptations and the Performance of English and Acadian History in New Brunswick
Bibliographic record
Abstract
The musical productions of Pelagie (2008), based on the novel Pelagie-la-charrette by Antonine Maillet, at the Pays de la Sagouine theme park in Bouctouche, and of The Heart that Knows (also 2008), based on the Charles G.D. Roberts’s novel of the same name, at Live Bait Theatre in Sackville, offered two very different perspectives on the performance of identity and history in New Brunswick. Both shows were melodramatic and sentimental, and both shows performed aspects of community history and identity. However, the Acadian spectacle offered a relatively simplified but extravagant heroic originary story of a nation, while the Live Bait performance treated audiences to a more intimate production that offered a nuanced retelling of a nostalgic sense of a community and a region. Resume La comedie musicale Pelagie (2008), d’apres le roman Pelagie-la-charrette d’Antonine Maillet, presentee au parc thematique du Pays de la Sagouine, a Bouctouche, et celle de The Heart that Knows (aussi presentee en 2008), piece qui reprend le titre du roman de Charles G.D. Roberts, presentee au Live Bait Theatre, a Sackville, ont debouche sur deux perspectives bien differentes en ce qui concerne la manifestation de l’identite et de l’histoire au Nouveau-Brunswick. Les deux pieces etaient melodramatiques et sentimentales et toutes deux revetaient des aspects de l’histoire de la collectivite et de l’identite. Alors que le spectacle acadien presentait l’histoire d’une nation heroique et originale a la fois relativement simplifiee et extravagante, la piece representee au Live Bait Theatre etait plus intime et racontait, avec plusieurs nuances, l’histoire nostalgique d’une communaute et d’une region.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.002 | 0.005 |
| Scholarly communication | 0.000 | 0.002 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.002 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".