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Record W1573237856 · doi:10.1017/cbo9780511973659.017

Afterword Death and the afterlife: Britain's colonies and dominions

2011· book-chapter· en· W1573237856 on OpenAlexaboutno aff
Michèle Barrett

Bibliographic record

VenueCambridge University Press eBooks · 2011
Typebook-chapter
Languageen
FieldSocial Sciences
TopicAustralian History and Society
Canadian institutionsnot available
Fundersnot available
KeywordsCarvingAfterlifePortraitFace (sociological concept)ArtArt historyPerformance artHistoryVisual artsGenealogyLiteratureSociology

Abstract

fetched live from OpenAlex

Jane Urquhart's remarkable novel The Stone Carvers (2002) imagines a young woman, of European wood-carving ancestry, travelling to Vimy in northern France from a village near Hamilton, Ontario. Disguised as a man, she obtains work on the Canadian monument and early one morning she steals into the workshop to carve the face of one of Walter Allward's allegorical figures in the image of her dead lover Eamonn. When Allward discovers her, he is angry that she has ‘ruined’ his torchbearer, explaining ‘he had wanted this stone youth to remain allegorical, universal, wanted him to represent everyone's lost friend, everyone's lost child’. Allward, we are told, ‘wanted the stone figure to be the 66,000 dead young men who had marched through his dreams when he had conceived the memorial’. But the face Klara was carving ‘had developed a personal expression’, it was ‘becoming a portrait’, and this had ‘never been his intention’. Confronted by this determined young woman, Urquhart's fictional Walter Allward realises that she has ‘allowed life’ to enter his monument and relents: ‘you can finish carving his face’, he agrees. Klara Becker's desire to impose the face of one particular young man onto the body of Allward's universal young man can be seen as a metaphor for the philosophy of commemoration that prevailed on the Western Front, and in Europe generally, after the war.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.072
Threshold uncertainty score0.142

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0080.010
Scholarly communication0.0050.002
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0150.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.035
GPT teacher head0.222
Teacher spread0.187 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations27
Published2011
Admission routes1
Has abstractyes

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Same venueCambridge University Press eBooksSame topicAustralian History and SocietyFrench-language works237,207