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Record W1575877405

Italian Folk: Vernacular Culture in Italian-American Lives

2013· article· en· W1575877405 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueWestern Folklore · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicArchitecture, Design, and Social History
Canadian institutionsnot available
Fundersnot available
KeywordsVernacularFolkloreFolkloristicsEthnomusicologyEthnographyVernacular cultureVernacular architectureAnthropologyHistoryFolk cultureImmigrationFoodwaysSociologyBalladPoetryLiteratureArtMusical
DOInot available

Abstract

fetched live from OpenAlex

Italian Folk: Vernacular Culture in Italian-American Lives. Edited by Joseph Sciorra (New York: Fordham University Press, 2011. Pp. xii+ 257, acknowledgments, introduction, notes, list of contributors, index. $85.00 cloth, $30.00 paper.)Italian Folk is an excellent collection of eleven essays (five new and six revised) edited by folklorist Joseph Sciorra. The editor, known for his active role at Calandra Italian American Institute at College, City University of New York, very successfully presented to general audience a wide spectrum of everyday life of Italian Americans. The editor invites us to listen with an accent seemingly imperceptible and often dismissed mundane activities of Italian Americans and, thus, understand better the variety of Italian-American vernacular expressivity (7).The reader will be satisfied, indeed, by interdisciplinary breadth of included essays. Topics such as food and family culture, vernacular architecture, folk art, residential landscaping, poetry, music, community festivals, religious fiestas, folk healing, and folk magic are discussed through lenses of various disciplines, such as folklore, anthropology, history, ethnomusicology, history of art, etc. The contributors use diverse methodologies, such as ethnographic fieldwork, historical research, and personal accounts to describe and analyze Italian-American communities in North America, in national as well as transnational levels.Simone Cinotto speaks about food and family conflicts in Italian Harlem 1920-40. The author argues that Italian-American food culture was never a static tradition, but rather changed and evolved according to and financial needs of immigrants. John Allan Cicala, using a behavioral ethnographic approach, focuses on his grandmother and her family history to reveal social and aesthetic subtleties involved in preparation, presentation, and consumption of Sicilian cuscuszu dish (48). Lara Pascali studies postwar Italian houses in and around Toronto, Montreal, and New York. She analyzes cultural use of space, particularly use of basement kitchens as a liberating space which offers freedom of movement, usage, and ultimately, more comfort and peace of mind (61). In an article on folk art Kenneth Scambray focuses on two examples (Baldassare Forestiere's Underground Gardens and Simon Rodia's Watts Towers) to demonstrate these works express in their individual forms their dual impulse between recollections of Italy and a hope for success and settlement in America (64). Art historian Joseph Inguanti shows how Italian-American residential play a crucial role in constructing Italian-American ethnic identity (105). He categorizes them in two basic types: landscapes of order (small, neat, and intensely managed front yards of Italian Americans in Brooklyn and Queens (85), and landscapes of memory from Long Island and Connecticut (where ornamental horticulture and raising of food crops are equally important, 84). …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.904
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.017
GPT teacher head0.221
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it