Italian Folk: Vernacular Culture in Italian-American Lives
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Notice bibliographique
Résumé
Italian Folk: Vernacular Culture in Italian-American Lives. Edited by Joseph Sciorra (New York: Fordham University Press, 2011. Pp. xii+ 257, acknowledgments, introduction, notes, list of contributors, index. $85.00 cloth, $30.00 paper.)Italian Folk is an excellent collection of eleven essays (five new and six revised) edited by folklorist Joseph Sciorra. The editor, known for his active role at Calandra Italian American Institute at College, City University of New York, very successfully presented to general audience a wide spectrum of everyday life of Italian Americans. The editor invites us to listen with an accent seemingly imperceptible and often dismissed mundane activities of Italian Americans and, thus, understand better the variety of Italian-American vernacular expressivity (7).The reader will be satisfied, indeed, by interdisciplinary breadth of included essays. Topics such as food and family culture, vernacular architecture, folk art, residential landscaping, poetry, music, community festivals, religious fiestas, folk healing, and folk magic are discussed through lenses of various disciplines, such as folklore, anthropology, history, ethnomusicology, history of art, etc. The contributors use diverse methodologies, such as ethnographic fieldwork, historical research, and personal accounts to describe and analyze Italian-American communities in North America, in national as well as transnational levels.Simone Cinotto speaks about food and family conflicts in Italian Harlem 1920-40. The author argues that Italian-American food culture was never a static tradition, but rather changed and evolved according to and financial needs of immigrants. John Allan Cicala, using a behavioral ethnographic approach, focuses on his grandmother and her family history to reveal social and aesthetic subtleties involved in preparation, presentation, and consumption of Sicilian cuscuszu dish (48). Lara Pascali studies postwar Italian houses in and around Toronto, Montreal, and New York. She analyzes cultural use of space, particularly use of basement kitchens as a liberating space which offers freedom of movement, usage, and ultimately, more comfort and peace of mind (61). In an article on folk art Kenneth Scambray focuses on two examples (Baldassare Forestiere's Underground Gardens and Simon Rodia's Watts Towers) to demonstrate these works express in their individual forms their dual impulse between recollections of Italy and a hope for success and settlement in America (64). Art historian Joseph Inguanti shows how Italian-American residential play a crucial role in constructing Italian-American ethnic identity (105). He categorizes them in two basic types: landscapes of order (small, neat, and intensely managed front yards of Italian Americans in Brooklyn and Queens (85), and landscapes of memory from Long Island and Connecticut (where ornamental horticulture and raising of food crops are equally important, 84). …
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| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,001 | 0,001 |
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