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Record W1588085749 · doi:10.7202/1016197ar

The Aurora borealis harmony as structural design in Eduard Tubin’s ‘Northern Lights’ Piano Sonata No. 2

2013· article· en· W1588085749 on OpenAlex
Edward Jurkowski

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.
venuePublished in a venue whose home country is Canada.

Bibliographic record

VenueLes Cahiers de la Société québécoise de recherche en musique · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsUniversity of Lethbridge
Fundersnot available
KeywordsPiano sonataHarmony (color)PianoSonata formSonata cycleArtLiteratureVisual artsArt history

Abstract

fetched live from OpenAlex

The Estonian Eduard Tubin’s (1905-1982) second piano sonata, subtitled the “Northern Lights Sonata,” represents a significant turning point for the composer. Written between February and October in 1950, the sonata contains attributes that become hallmarks of Tubin’s mature style—namely, a highly concentrated compositional structure, an enriched, tonally ambiguous harmonic design, and the use of cyclically repeating theme groups. The subtitle of the composition comes from Tubin himself. Specifically, he noted that the work’s opening eight-note harmony represents the programmatic depiction of the whirling flashes from the northern lights he witnessed in Stockholm during 1949. In this article, I trace the various transformations of the Aurora borealis harmony in the second piano sonata and identify its role as a vital structural element of the composition. Following a descriptive assessment of the work’s three movements, I end by identifying some fascinating relationships between the piano sonata and other works by Tubin from this time period.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Research integrity, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.528
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.052
GPT teacher head0.309
Teacher spread0.257 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it