Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
At the Old Reservoir, and: Retreat Deborah Casillas (bio) At the Old Reservoir Blackbirds disappearin stands of cattail, flash ofred like hearts stampedon paper wings.You can see the linethat shows how highthe water used to rise.No one else is here. Silence, sporadic birdcalls. Chamisa and four-wingsaltbush choke the muddytrail—quick slitherof a string-thin garter snake. [End Page 45] My breath sucked in, fearof snakes embedded inthe bones since childhood,my mother's rememberedpanic as the boatmanpounded and poundeda water moccasin coiledin the sloshing bottomof a canoe I bent to enter. Later, we paddled underthe bridge where a mandisplayed the snake aboveour heads, limp bodydangling from his paddlelike a length of rubber hose.My heart swelled so muchI could hardly breathe,the world flaming and spinningas it sometimes does.I saw reptiles slidethrough grasses, twigsbend, petals dropfrom dogwood trees.We floated on the muddywater of the river, white sunsetting fires in my skull. [End Page 46] Retreat Behind a closed door, a man lies for hourslistening to the hermetic worldof cells sloughing, whir of the body's constant work,the unbidden renewal.He will know death wellhaving rehearsed for years the giving up. In the room dust settles silently on chairs.A spider spins its whisper of filamentfrom lamp to bookshelf. The silence is a mirror of childhood—interminable quiet of days, vacantrooms, shadows against blank walls.Beyond the confines of this secluded room,this shell of echoes, handfuls of coloredpebbles gather on the ground:ferrous red, green, pink granite, obsidian.Mountains fill with the sharp scentof crushed pine needles, orange spurtsof paintbrush, columbine, monkshood's purpleheads bowed beside a stream. In an empty house, the sleeper rises late,aware of an unseen order,knowing the adjustment of inanimate objects,the continual shift of metals, one bowlsettling into another,hum of glasses, a book closing its pages.Exhaustion drains like the absenceof embrace, a constant surrender. [End Page 47] Deborah Casillas Deborah Casillas lived in San Francisco, Madrid, and Mexico City before moving to Santa Fe, New Mexico. Her poems have appeared in various journals, including the Ontario Review, MacGuffin, Borderlands, and Crab Orchard Review. Copyright © 2010 University of Nebraska Press
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.007 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it