MétaCan
Menu
Back to cohort
Record W1832507961

Cinema, an Art More Photographic than Autographic

2012· article· fr· W1832507961 on OpenAlexaff
André Gaudreault

Bibliographic record

VenueRiviste UNIMI (Università degli studi di Milano) · 2012
Typearticle
Languagefr
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsUniversité de Montréal
Fundersnot available
KeywordsMovie theaterPerformative utteranceVisual artsArtComputer scienceAesthetics
DOInot available

Abstract

fetched live from OpenAlex

It would be difficult to situate cinema, in the sense of institutional cinema, in a chart whose purpose would be to illustrate the various allographic and autographic aspects (in the sense Goodman and Genette use these terms) of different art forms. Cinema is a complex art in which, like in a rhizome, various expressive means, channels of transmission, systems of notation and modes of execution overlap. The task is even bigger with respect to the body of films known as early cinema, or rather kine-attractography. Early cinema is a hundred times more rhizome-like than institutional cinema, because it involves a number of “performative” gestures (live music or commentary, etc.) whose effect is to multiply the sites of creation or authorship. Kine-attractography involves both allographic recording (because it is purely instrumental) and the autographic performance of a given actor, even though anonymous, in an execution-screening complemented by equally autographic performances by live figures. Hence, the difficulty in identifying the underlying system joining the various instances at work in such situations. Just as photography rhymes with allography, cinema is a photo- graphic art before it is an autographic one.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.429
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0020.002
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.220
Teacher spread0.193 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2012
Admission routes1
Has abstractyes

Explore more

Same venueRiviste UNIMI (Università degli studi di Milano)Same topicCinema and Media StudiesFrench-language works237,207