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Record W1851796669

Applying the Metaphor of Motion to Phrase Analysis and Performance of Choral Music

2005· article· en· W1851796669 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueThe Journal of Macrodynamic Analysis (Memorial University of Newfoundland) · 2005
Typearticle
Languageen
FieldSocial Sciences
TopicMusic Education and Analysis
Canadian institutionsWestern University
Fundersnot available
KeywordsChoirPhraseMetaphorMotion (physics)ArtLinguisticsVisual artsComputer sciencePhilosophyArtificial intelligence
DOInot available

Abstract

fetched live from OpenAlex

This paper addresses the role of the metaphor of motion as a conceptual aid to the analysis and performance of choral music.I discuss a few ways in which it can benefit the choral director, both in score preparation and in communicating sophisticated musical concepts with an amateur choir.In particular, I focus on the analysis of form, specifically the phrase structure of tonal music.To this end, I apply two types of analytical techniques from the tradition of energetics-tonal analysis as developed by Schenker (1979) and melodic analysis of Meyer (1956) and Narmour (1992)-and demonstrate their general application to score study.For the sake of clarity, this paper focuses on Mozart's choral-music gem, Ave verum corpus, although these ideas can be beneficially applied to more substantial works as well as those less overtly tonal.Common to all energetic theories of music, such as Schenkerian theory, are at least three features.These include an ahistorical approach to the music that de-emphasizes style in favour of perceived musical universals and a conceptual-metaphoric understanding that the tones have a will of their own.Another crucial feature is the

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.104
Threshold uncertainty score0.994

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.004
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.255
Teacher spread0.240 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it