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Record W1980088949 · doi:10.3138/ctr.161.009

Performance as Treatment in the James Bay Treaty No. 9

2015· article· en· W1980088949 on OpenAlexvenueaboutno aff
Sasha Kovacs

Bibliographic record

VenueCanadian Theatre Review · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsTreatyLawPolitical scienceArms controlSociology

Abstract

fetched live from OpenAlex

In 2006 the diary of treaty commissioner George MacMartin was found in the Queen’s University Archives in Kingston, Ontario. In it MacMartin records how and under what terms Mushkegowuk and Anishinaabe communities made treaty in 1905—he records that agreement was “accepted” to the terms as “stated.” This primary source is now the central piece of evidence in the Mushkegowuk Council’s legal case that challenges the terms of Treaty No. 9 as written and suggests that what was “stated” never mentioned that these communities would have their land “taken up” for the purposes of development. It is this story of the treaty that playwright Falen Johnson “takes up” for her new play, Treaty no. 9. This article considers how Johnson, through restaging treaty, conceptualizes a new approach to it—one that foregrounds how performance was used and abused in the signing process to facilitate agreement, and one that should be taken account of in the treaty’s current legal case. This article outlines the pragmatic challenges that this approach to treaty might come up against in the court of law and considers how performance studies frameworks and approaches might legitimize the law’s engagement with the repertoire of this treaty as proof.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.009
metaresearch head score (Gemma)0.016
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.458
Threshold uncertainty score0.922

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0090.016
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.004
Science and technology studies0.0100.026
Scholarly communication0.0110.004
Open science0.0020.004
Research integrity0.0050.008
Insufficient payload (model declined to judge)0.0100.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.048
GPT teacher head0.253
Teacher spread0.205 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2015
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicTheatre and Performance StudiesFrench-language works237,207