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Record W1981469098 · doi:10.7202/044409ar

Insecurity Cameras: Cinematic Elevators, Infidelity and the Crime of Time

2010· article· en· W1981469098 on OpenAlexaffvenue
Alanna Thain

Bibliographic record

VenueIntermédialités Histoire et théorie des arts des lettres et des techniques · 2010
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsMcGill University
Fundersnot available
KeywordsElevatorMovie theaterDuration (music)Natural (archaeology)AestheticsArtVisual artsHistoryEngineeringLiteratureArchaeology

Abstract

fetched live from OpenAlex

The elevator, like the train and other icons of automated movement, would seem to hold a natural affinity with cinema, a kind of machine for making non-habitual space and time. Elevators displace human activity and effort, opening up instead a range of other types of encounters and types of mobility. As time-based mediums, elevators are zones of duration where the potential for change is made manifest. Unlike trains, however, elevators have not received or drawn critical interest on the part of cinema studies. This paper looks at the enduring verticality of cinematic elevators through a Bergsonian sense of duration as “infidelity to the self”, presenting a close reading of the elevator murder in Brian DePalma’s Dressed to Kill (1980) and a broader consideration of the elevator in cinema and urban culture.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.009
Threshold uncertainty score0.029

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.010
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0040.009
Scholarly communication0.0070.009
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0090.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.264
Teacher spread0.241 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes2
Has abstractyes

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