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Record W2000009703 · doi:10.1057/palgrave.fr.9400311

Book Review: Auto/Biography and Identity: Women, Theatre and Performance

2006· article· en· W2000009703 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueFeminist Review · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsWestern University
Fundersnot available
KeywordsBiographyCultural studiesIdentity (music)Gender studiesSociologyFeminismHuman sexualityAnthropologyArtArt historyAesthetics

Abstract

fetched live from OpenAlex

Even as interest in feminist theory and criticism in theatre and performance studies continues to wane (or, perhaps, finds itself remapped and redirected), interest in women, autobiography and performance is on the upswing. Auto/biography and Identity enters the field two years after the publication of Sidonie Smith and Julia Watson's collection Interfaces: Women, Autobiography, Image, Performance, but, in some contrast to this earlier text and its emphasis on the visual, Auto/biography locates itself specifically at the nexus between women's autobiographical writing and performance. As Gale and Gardner note in their introduction, by exploring theatrical women's writing about themselves alongside their often multiply-coded, fractious performances of their subjectivities and experiences, they hope to enable ‘connections between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography’ (p. 5).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.113
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.011
GPT teacher head0.238
Teacher spread0.227 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it