MétaCan
Menu
Back to cohort
Record W2004133248 · doi:10.3138/md.52.2.207

Sacrifice, Inhibition, and Oedipal Fantasy in <i>Krapp's Last Tape</i>

2009· article· en· W2004133248 on OpenAlexvenueno aff
Paul Kintzele

Bibliographic record

VenueModern Drama · 2009
Typearticle
Languageen
FieldArts and Humanities
TopicSamuel Beckett and Modernism
Canadian institutionsnot available
Fundersnot available
KeywordsSacrificeRenunciationFantasyNarrativeLiteraturePower (physics)PsychoanalysisOedipus complexPhilosophyFreudian slipArtPsychoanalytic theoryPsychologyTheology

Abstract

fetched live from OpenAlex

This article challenges an assumption that, implicitly and explicitly, has long structured the interpretive history of Krapp's Last Tape—namely, that Beckett's play presents the bitter consequences of a failed sacrifice. In order to make that assumption plausible, critics have had to posit a certain causal relationship between the scenes recounted on the tape made by Krapp at age thirty-nine. However, careful analysis suggests that this voluntaristic narrative of artistic ambition leading to sexual renunciation needs to be questioned. By attending to the pervasive Oedipal thematics of the play, this article contends that the apparent sacrifice (or “farewell to love”) by Krapp is actually better understood as the result of a more fundamental inhibition. Even though in Anti-Oedipus Gilles Deleuze and Félix Guattari use Beckett's work (particularly the prose) to illustrate the purposeless productivity of the schizoid, much of the dramatic power of Krapp's Last Tape seems to result from the staging of precisely the sort of Oedipal scenario that is undone or exploded elsewhere in Beckett.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.008
Threshold uncertainty score0.015

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0050.020
Scholarly communication0.0050.003
Open science0.0000.003
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.232
Teacher spread0.203 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2009
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicSamuel Beckett and ModernismFrench-language works237,207