MétaCan
Menu
Back to cohort
Record W2004990990 · doi:10.1121/1.4805316

On the relation between gesture, tone production, and perception in classical cello performance

2013· article· en· W2004990990 on OpenAlexaff
Magdalena Chudy, Alfonso Pérez, Simon Dixon

Bibliographic record

VenueThe Journal of the Acoustical Society of America · 2013
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsMcGill UniversityCentre for Interdisciplinary Research in Music Media and Technology
Fundersnot available
KeywordsBowingViolinAcousticsTone (literature)GestureComputer scienceString (physics)CelloSound qualityMusical instrumentSpeech recognitionMathematicsArtificial intelligencePhysicsCommunicationPsychology

Abstract

fetched live from OpenAlex

On bowed string instruments such as violin or cello, the quality of sound depends mostly on the performer’s bowing technique, which determines the interaction between the bow hair and the string. An accomplished string player has numerous ways of shaping the spectrum of a desired sound. This research investigates the combination of bowing gestures necessary for production of a rich tone. In particular, bowing control parameters such as bow force, bow velocity, and bow–bridge distance captured by a dedicated sensing system are analyzed and compared against audio features. Using audio and gesture measurements of six advanced cellists recorded on two different instruments of a luthier class, we characterize a sound palette and respective bowing control patterns of each player in performed music excerpts and scales. We especially focus on how performers adjust their bowing technique to control the timber of an instrument on which they have never practiced before. Observed differences between the players on the measured audio features show consistency with the bowing parameters adapted for balancing the timbral changes due to instrument, string, and fingering position. To perceptually evaluate the recorded samples, expert musicians were asked to rank the players in terms of sound quality and tone richness.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.835
Threshold uncertainty score0.249

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.234
Teacher spread0.221 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations5
Published2013
Admission routes1
Has abstractyes

Explore more

Same venueThe Journal of the Acoustical Society of AmericaSame topicMusic Technology and Sound StudiesFrench-language works237,207