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Record W2009764364 · doi:10.7202/1018580ar

Le médium mythologique du Rock’n roll et la musique contemporaine

2013· article· fr· W2009764364 on OpenAlexvenueno aff
Pierre Albert Castanet

Bibliographic record

VenueIntersections Canadian Journal of Music · 2013
Typearticle
Languagefr
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtArt history

Abstract

fetched live from OpenAlex

Devenu depuis plus d’un demi-siècle facteur idéologique de mythologie quotidienne, le Rock a séduit bon nombre de compositeurs contemporains (John Adams, Luciano Berio, Steve Martland, Theo Loevendie…). Explorant cette problématique, la communication de Pierre Albert Castanet se fonde sur l’histoire contextuelle et interactive du « populaire » et du « savant ». S’attachant notamment à l’instrumentarium symbolique des rockers (orgue électrique, guitare électrique, guitare basse, batterie), l’article se penche sur quelques études de cas allant des musiques de Pierre Henry à Philippe Manoury en passant par celles de Cathy Berberian, György Ligeti ou Tristan Murail…

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.020
Threshold uncertainty score0.042

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0060.015
Scholarly communication0.0070.004
Open science0.0010.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0130.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.226
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2013
Admission routes1
Has abstractyes

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Same venueIntersections Canadian Journal of MusicSame topicMusic Technology and Sound StudiesFrench-language works237,207