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Record W2017920803 · doi:10.3138/ecf.26.1.121

Jane Austen’s “Excellent Walker”: Pride, Prejudice, and Pedestrianism

2013· article· en· W2017920803 on OpenAlexvenueno aff
Olivia Murphy

Bibliographic record

VenueEighteenth-Century Fiction · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsnot available
Fundersnot available
KeywordsPridePrejudice (legal term)Performative utteranceRomanceAestheticsSurpriseSociologyHistoryPsychologyPsychoanalysisArtSocial psychologyLawPolitical science

Abstract

fetched live from OpenAlex

When Mrs Hurst calls Elizabeth Bennet “an excellent walker,” in Jane Austen’s Pride and Prejudice (1813), the remark is meant to ridicule. For a modern reader, understanding this connotation requires a small exercise in historical imagination. Recent critical studies explore the rise of rambling and the Romantic poets’ penchant for lengthy pedestrian excursions, but Pride and Prejudice does not feature the sort of lonely wanderings that lead to conversations with leech gatherers and mystical mariners. To appreciate the centrality of walking to the novel, we must appropriate Miss Bingley’s question, “What could she mean by it?” Before we can understand the attitudes towards walking and the responses to walking exhibited by characters in the novel—and the function of walking in the plot—it is first necessary to explore the changing place of walking in late eighteenth- and early nineteenth-century society, and the uses of walking in Romantic-era literature. This article examines eighteenth-century accounts of athletic, touristic, sentimental, and performative pedestrianism, including Austen’s attitudes towards her own walks, in order to read walking in the novel.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.011
Threshold uncertainty score0.021

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0090.019
Scholarly communication0.0030.002
Open science0.0010.002
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.186
Teacher spread0.173 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations20
Published2013
Admission routes1
Has abstractyes

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Same venueEighteenth-Century FictionSame topicHistorical Art and Culture StudiesFrench-language works237,207