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Record W2021914802 · doi:10.3138/md.53.3.370

Drama is the Cure for Gossip: Television's Turn to Theatricality in a Time of Media Transition

2010· article· en· W2021914802 on OpenAlex
Abigail De Kosnik

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2010
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsGossipDramaFantasyIdentity (music)The InternetNarrativeMedia studiesSociologyAppealAdvertisingAestheticsArtLiteraturePsychologyPolitical scienceSocial psychologyLawComputer science

Abstract

fetched live from OpenAlex

This article examines a number of currently airing television dramas and comedies (Gossip Girl, Mad Men, In Treatment, and Glee) that depict theatricality – live performance – as a means by which characters achieve self-realization and authenticity. Television today may be interested in presenting theatricality as what Michel Foucault calls a “technology of the self” as a way to distinguish TV from the Internet. The Internet is largely comprised of gossip, and social media demand that all of us carefully safeguard our online reputations, lest we fall victim to unfounded rumours posted by anonymous users. Contemporary television narratives offer the fantasy of “easy identity,” as characters spontaneously discover their “real selves” by engaging in theatrical performances and clearly communicate who they “really are” to others, with only positive results. Television thus uses theatricality as a means of establishing its ongoing appeal in an Internet era.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.405
Threshold uncertainty score0.370

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.235
Teacher spread0.215 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it