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Record W2022223446 · doi:10.1162/grey_a_00142

An Eternal Esthetics of Laborious Gestures

2014· article· en· W2022223446 on OpenAlexaboutno aff
Allan Sekula

Bibliographic record

VenueGrey Room · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicPhotography and Visual Culture
Canadian institutionsnot available
Fundersnot available
KeywordsArt historyFilm directorArtThe artsPhotographyVisual artsState (computer science)SculptureHistoryMovie theater

Abstract

fetched live from OpenAlex

April 01 2014 An Eternal Esthetics of Laborious Gestures Allan Sekula Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Search for other works by this author on: This Site Google Scholar Author and Article Information Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Online Issn: 1536-0105 Print Issn: 1526-3819 © 1996 Allan Sekula1996 Grey Room (2014) (55): 16–27. https://doi.org/10.1162/GREY_a_00142 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Allan Sekula; An Eternal Esthetics of Laborious Gestures. Grey Room 2014; (55): 16–27. doi: https://doi.org/10.1162/GREY_a_00142 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 1996 Allan Sekula1996 Article PDF first page preview Close Modal You do not currently have access to this content.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.014
Threshold uncertainty score0.047

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0060.011
Scholarly communication0.0060.003
Open science0.0000.003
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0140.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.253
Teacher spread0.234 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations20
Published2014
Admission routes1
Has abstractyes

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