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Record W2026051007 · doi:10.3138/tjt.21.1.33

Variations on a Theme by Anselm: Contemporary Reflections on a Classic Definition

2005· article· en· W2026051007 on OpenAlexvenueno aff
Stephen Bevans

Bibliographic record

VenueToronto Journal of Theology · 2005
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsSymphonyMOZARTTheme (computing)MelodyClassical musicRepertoireLiteratureOperaArtPhilosophyArt historyMusicalComputer science

Abstract

fetched live from OpenAlex

About two decades ago I truly discovered classical music. I had always "liked" classical music, and had been familiar with some of the works in the standard repertoire (e.g. Vivaldi's "Four Seasons"), but one day in 1985 I suddenly was able to appreciate the music of Brahms, Beethoven, Vaughn Williams and Copeland at an entirely different level, and I was hooked. As I have listened to these and other great artists over the last twenty years, one thing I have learned is how original each artist is, while at the same time maintaining a real continuity with the past. Beethoven wanted to study with Mozart and ended up studying with Haydn, and subsequently took the symphony to new heights and depths; Brahms was deeply indebted to Beethoven, and in some ways was even intimidated by him, but his own works have a colour and richness that is characteristic of Brahms alone; Copeland's music is definitely music of the twentieth century United States, but he studied in Paris and is also steeped in the melodies of traditional American folk music.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.012
Threshold uncertainty score0.058

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0090.023
Scholarly communication0.0060.009
Open science0.0010.004
Research integrity0.0030.006
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.084
GPT teacher head0.290
Teacher spread0.206 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2005
Admission routes1
Has abstractyes

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Same venueToronto Journal of TheologySame topicMusicology and Musical AnalysisFrench-language works237,207