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Record W2027722973 · doi:10.3138/ctr.162.008

<i>Popularity</i>: The Spectator as Statistic

2015· article· en· W2027722973 on OpenAlexvenueno aff

Bibliographic record

VenueCanadian Theatre Review · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicArt History and Market Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsPopularityExhibitionCounterfeitVisual artsStatisticAdvertisingArtIntervention (counseling)Media studiesPsychologySociologySocial psychologyPolitical scienceLawBusiness

Abstract

fetched live from OpenAlex

Abstract: In this interview, Joshua Schwebel discusses his public intervention project Popularity. Over the course of a single, five-week exhibition, Joshua Schwebel paid people to attend a gallery as counterfeit spectators. Schwebel did so to artificially inflate the popularity of the show. The action was executed without the knowledge or consent of the staff of the artist-run centre, or the artist whose show was inexplicably popular. Schwebel’s “art public” of thirty-five people per day attended a single show every day for five weeks, standing in the gallery for a minimum of ten minutes. In total almost 1,000 counterfeit visits were generated.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.010
metaresearch head score (Gemma)0.023
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.515
Threshold uncertainty score0.976

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0100.023
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0100.010
Scholarly communication0.0050.004
Open science0.0010.002
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0150.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.041
GPT teacher head0.241
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2015
Admission routes1
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicArt History and Market AnalysisFrench-language works237,207