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Record W2029889585 · doi:10.1093/fs/knu181

The Lily and the Thistle: The French Tradition and the Older Literature of Scotland <i>The Lily and the Thistle: The French Tradition and the Older Literature of Scotland</i> . By W <scp>illiam</scp> C <scp>alin</scp> . Toronto: University of Toronto Press, 2014. x + 415 pp.

2014· article· en· W2029889585 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueFrench Studies · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicScottish History and National Identity
Canadian institutionsnot available
Fundersnot available
KeywordsScotsHistoryLiteratureClassicsNothingFlourishingReignThe RenaissancePoetryContext (archaeology)ArtPhilosophyArt historyLawArchaeologyPolitical science

Abstract

fetched live from OpenAlex

It is generally accepted that France impacted less on early Scottish literature than on its English equivalent: if nobles and clergy brought French loan words into the Scots lexicon, there was nothing comparable to the flourishing of ‘Anglo-Norman’ writing. However, William Calin endeavours to show how, in the medieval and Renaissance literature of Scotland, the French tradition offered a wide range of genres and styles, which Scots authors made their own. Breaking with the age-old focus on Anglo-Scottish exchanges, he situates Scottish books in a larger intertextual context, international and European. Beginning with The Kingis Quair, attributed to James I, Calin then shows various French influences on the Makars Douglas, Dunbar, and Henryson. A new approach is offered on intertextual relations between Pierre Gringore's Le Prince des Sotz and David Lyndsay's classic Thrie Estaitis. Some of the most interesting pages are devoted to Mary Queen of Scots and her son James VI/I. Mary was, ‘if not a great poet, a very good one’ (p. 234): her amatory and devotional verse — whose authenticity Calin vigorously defends — bears the influence of Ronsard and other Renaissance giants. James VI inherited her Francophilia but certainly not her Catholicism: his own verse is shown to be strongly coloured by that of the Huguenot Du Bartas, whom he translated. Calin ends by continuing the recent ‘rehabilitation’ of William Drummond of Hawthornden. A hopelessly out of date Petrarchan who wrote exclusively in English, Drummond had no place in the ‘Scots Renaissance’ Pleiade created by Hugh MacDiarmid and other nationalist intellectuals. Yet Calin argues that the baroque mentality of Drummond's longer texts shows an unmistakeable French imprint. The question of what remains uniquely ‘Scottish’ in this intertextual web persists. If Calin thankfully rejects the Romantic idea that Scottish literature is ‘close to the Volk’ (p. 299), he does find something specifically Scottish in the flyting and the eldritch: a taste for scatology, verbal abuse, and brawling seems to mark the Scots out from their Sassenach and continental cousins. Calin also claims — this time without any proof — that Scots, compared with the French or the English, discuss the situation of culture in greater depth and with greater passion. Scottish literature, he concludes, is ‘multilingual and multicultural, expansive and ever expanding’ (p. 301). But could this description not be applied to all literatures? And why should literature be approached exclusively through the prism of nationality? After all, as this punchy and well-researched book shows, ‘Scottish’ authors of the period had very much as their references Antiquity and the fierce loves and hatreds of religious warfare.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesScience and technology studies
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.787
Threshold uncertainty score0.997

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0040.010
Scholarly communication0.0010.001
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.196
Teacher spread0.187 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it