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Record W2032453724 · doi:10.1215/00029831-1664728

Literatures of Exile and Return: Jack Kerouac and Quebec

2012· article· en· W2032453724 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueAmerican Literature · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsDiasporaIdentity (music)American literatureRealismIdeologyBluesArtLiteratureRepresentation (politics)HistoryArt historyAestheticsSociologyGender studiesPoliticsPolitical scienceLaw

Abstract

fetched live from OpenAlex

Melehy’s essay explores Jack Kerouac’s relationship to the Québécois diaspora of which his Massachusetts family was a part, his experience of English as a foreign language, and how these inform his aesthetics. Melehy situates the discussion in debates on multilingualism in the study of American literature as well as theories of minor literature and translation. He demonstrates that Kerouac’s realism involves an effort to bring into dominant US representation many aspects of the diaspora that were ideologically hidden. Part of this consideration is the reception of Kerouac in Quebec as a major literary figure who made immense contributions to reflections on hybrid North American identity. In the appreciation of Kerouac by Quebec novelist and critic Victor-Lévy Beaulieu, the author shows that early critical dismissals of Kerouac in the United States were closely connected to the aesthetic problems he raised in his work that were specific to his awareness of the diaspora. Melehy then turns his attention to some of Kerouac’s lesser-known novels, especially two that focus mainly on French-Canadian culture and identity, Dr. Sax (1959) and Satori in Paris (1966). Proceeding to a commentary of a Québécois rewriting of Kerouac, Jacques Poulin’s 1984 Volkswagen Blues, Melehy demonstrates this novel’s exploration of North American identities in connection with Quebec and the role of literature in mapping them. The conclusion assesses Kerouac’s contribution to American literature as a meditation on transnational, translingual identity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.947
Threshold uncertainty score0.458

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.008
GPT teacher head0.219
Teacher spread0.211 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it