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Record W2034577703 · doi:10.7202/1005756ar

La migration de l’aura ou comment explorer un original par le biais de ses fac-similés

2011· article· fr· W2034577703 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueIntermédialités Histoire et théorie des arts des lettres et des techniques · 2011
Typearticle
Languagefr
FieldArts and Humanities
TopicHistorical and Literary Analyses
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtAuraPhilosophy

Abstract

fetched live from OpenAlex

En prenant l’exemple de la duplication par l’intermédiaire de techniques numériques des Noces de Cana de Véronèse et de son accrochage dans son lieu palladien d’origine à San Giorgio à Venise, les auteurs envisagent la possibilité d’un détachement de l’aura par rapport à l’oeuvre originale. Grâce aux nouvelles techniques de fac - similisation , l’aura pourrait s’attacher à l’une ou l’autre des reproductions selon la qualité de ce que l’on peut considérer être les versions d’une oeuvre et selon la réussite de leur inscription dans un lieu particulier. Selon cette nouvelle logique, parallèle à celle des arts performatifs, l’oeuvre originale ne serait plus qu’une matrice première, l’origine d’une longue lignée de reproductions qui viendrait l’actualiser. Et dans la mesure où tous les originaux devraient être reproduits pour « survivre », il importera désormais de savoir distinguer les bonnes des mauvaises reproductions.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Insufficient payload (model declined to judge)
Consensus categoriesScience and technology studies
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.860
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0000.000
Science and technology studies0.0020.004
Scholarly communication0.0010.002
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.066
GPT teacher head0.288
Teacher spread0.222 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it