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Record W2037064065 · doi:10.1068/d263

The Shakespearian Globe: Geometry, Optics, Spectacle

2001· article· en· W2037064065 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueEnvironment and Planning D Society and Space · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicHistorical and Architectural Studies
Canadian institutionsUniversity of Victoria
Fundersnot available
KeywordsGlobeSpectacleContext (archaeology)The RenaissanceRelation (database)DramaturgyVisual artsArtAestheticsHistoryArt historyComputer sciencePolitical sciencePsychologyLawArchaeology

Abstract

fetched live from OpenAlex

One of the most significant events that swept through Europe during the Renaissance was a renewed interest in oculocentrism, extending the power of vision, and disseminating it in more visually accessible ways. In this paper the concept of the globe is explored through the work of William Shakespeare by examining its links to geometry, optics, and spectacle in the context of the theatre and the world in which the poet lived. At the outset the globe is examined in relation to Shakespeare's playhouse, which exhibited strong Vitruvian antecedents. The optical manipulation of space is then explored through the use of globes in Shakespeare's literary landscape, illustrating that Elizabethans were not only familiar with these geographical models, but that Shakespeare reinforced these new ways of seeing the world on his audience. Finally, research illustrates that globes were not only in Shakespeare's dramaturgy, but the theatre was also in the world, and the paper explores in detail how spectacle was used by learned Elizabethans to represent the globe to themselves.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.830
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.193
Teacher spread0.173 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it