MétaCan
Menu
Back to cohort
Record W2037932681 · doi:10.3138/md.44.4.416

Exiled from Alienation: Brechtian Aesthetics, the Death of the Director, and Peter Brook's <i>The Mahabharata</i>

2001· article· en· W2037932681 on OpenAlexvenueno aff
James M. Harding

Bibliographic record

VenueModern Drama · 2001
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsAlienationPoliticsCriticismPariah groupBENGALAestheticsHistorySociologyArt historyReligious studiesArtLiteratureLawPolitical sciencePhilosophyArchaeology

Abstract

fetched live from OpenAlex

Certain to be counted among the many flashpoints in the cultural wars of the late 1980s, Peter Brook's The Mahabharata occupies a unique and ultimately illuminating position in the history of theatre and perfonnance criticism. Stained by the lingering residues of its producer's gross and well-documented cultural insensitivities, Brook's The Mahabharata became a kind of pariah shortly after its premier. That stain marks the history of the piece's reception and has resulted either in a consistent blurring of the production with its producer or in an implicit call to boycott the production as a way to hold Brook accountable for his indefensible behavior while in India researching his production. In either case, scholars have been unable or unwilling to move beyond considerations that are based on an equation of Brook's production with Peter Brook the person. While from a political standpoint such equations may initially be understandable, from a theoretical perspective they not only have been problematic from the very stat but also have inadvertently elided profoundly significant political ramifications in Brook's The Mahabharata, ramifications that become visible only if we make a clear break between Brook and his production.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.935
Threshold uncertainty score0.434

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.023
GPT teacher head0.215
Teacher spread0.191 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2001
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicTheatre and Performance StudiesFrench-language works237,207