MétaCan
Menu
Back to cohort
Record W2040312909 · doi:10.3138/cras.2014.004

New Readings of American Expats in Paris

2014· article· en· W2040312909 on OpenAlexvenueno aff
Irene Gammel

Bibliographic record

VenueCanadian Review of American Studies · 2014
Typearticle
Languageen
FieldArts and Humanities
TopicAmerican and British Literature Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsHollywoodArt historyModernism (music)LimelightPortraitComedyArtLiteraturePerformance artNewspaperIdentity (music)HistoryMedia studiesSociologyAesthetics

Abstract

fetched live from OpenAlex

More than fifty years after his violent death in 1961, Ernest Hemingway remains a writer of gigantic proportions. He has a faithful following among high school and university readers, bolstered by a popular culture industry of Hollywood adaptations, biopics, documentaries, and fictionalized expat films: most recently, Hemingway and Gellhorn (2012), an action-packed film starring Clive Owen and Nicole Kidman; Woody Allen’s summer blockbuster comedy Midnight in Paris (2011); Greta Schiller’s documentary Paris Was A Woman (1996); and Alan Rudolph’s The Moderns (1988). What could three new expat books—two of them volumes of largely unpublished letters by Hemingway and by Sylvia Beach, along with a new fictional portrait of Hemingway’s first marriage to Hadley Richardson—possibly add to this rich reputation? In a word, plenty, as newly published sources become available, and as the women contributors to Modernism move from the sidelines into the limelight, claiming their own experiences and reconfiguring American identity in post-war Paris. The combined insights of these three books are manifold and will resonate for years to come.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.272
Threshold uncertainty score0.540

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0140.019
Science and technology studies0.0100.012
Scholarly communication0.0110.004
Open science0.0010.003
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0220.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.261
Teacher spread0.245 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueCanadian Review of American StudiesSame topicAmerican and British Literature AnalysisFrench-language works237,207