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Record W2045603739 · doi:10.1386/jac.1.1.95/1

The rise of the African musical: postcolonial disjunction in Karmen Geï and Madame Brouette

2009· article· en· W2045603739 on OpenAlex
Sheila Petty

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

fundA Canadian funder is recorded on the work.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of African Cinemas · 2009
Typearticle
Languageen
FieldSocial Sciences
TopicAfrican history and culture studies
Canadian institutionsnot available
FundersSocial Sciences and Humanities Research Council of Canada
KeywordsForegroundingMusicalMovie theaterIdeologyContext (archaeology)NarrativeSociologyAestheticsExpression (computer science)PoliticsAction (physics)Visual artsMedia studiesArtHistoryLiteraturePolitical scienceLawComputer science

Abstract

fetched live from OpenAlex

This essay explores the rise of the film musical as a unique vehicle for artistic expression by African film-makers. In particular, the essay deals with the films, Karmen Geï and Madame Brouette and considers the ways in which both films employ this genre as a means of investigating social and political issues affecting postcolonial Senegalese culture. Furthermore, the African musical brings with it new ideological, visual and narrative strategies that are expanding the cinematic grammar of African cinema and creating a hybridized form. The essay demonstrates how both films engage spectators in the struggle for existence within the postcolonial context, and by foregrounding the complexities of that struggle, create a debate and a call to action that seeks solutions from within African perspectives.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.596
Threshold uncertainty score0.554

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.253
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it