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Record W2046783881 · doi:10.5430/jbar.v4n1p49

The Application of Traditional Chinese Wash Painting in the Modern Fashion Clothing Design

2015· article· en· W2046783881 on OpenAlex
Zhuanye Zhao, Cheng Lu

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of Business Administration Research · 2015
Typearticle
Languageen
FieldArts and Humanities
TopicFashion and Cultural Textiles
Canadian institutionsnot available
Fundersnot available
KeywordsClothingPaintingBeautyChinaElement (criminal law)Chinese paintingChinese cultureFashion designCharacter (mathematics)AestheticsBusinessVisual artsAdvertisingArtPolitical scienceLaw

Abstract

fetched live from OpenAlex

With the development of times, great changes have taken place on people’s appreciation of the beauty and demand about garment. The decoration of garment as well as individual character become the trend of times gradually. Chinese traditional wash painting is an important part of Chinese culture, in design of clothing, its special expressive force is a good choice for designer expressing themselves. Therefore, this element is popular among every fashion shows. Because of financial crisis, the road of Chinese export trade is becoming more and more severe, it’s urgent for China to create a road which is full of Chinese culture, the Chinese traditional wash painting is a inspiration origin for native designer. On the base of achievement which is discussed in the past, this paper will pay attention to the similarity between wash painting and garment design as well as the element apply to garment.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.005
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.422
Threshold uncertainty score0.346

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0050.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.314
GPT teacher head0.374
Teacher spread0.060 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it