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Record W2051707465 · doi:10.1215/03335372-2006-014

Poetry and Avant-Garde Film: Three Recent Contributions

2007· article· en· W2051707465 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenuePoetics Today · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsFilm directorPoetryContext (archaeology)ArtArt historyGermanMovie theaterLiteraturePhilosophyHistory

Abstract

fetched live from OpenAlex

This article begins with an overview of the relationship of poetry and independent film. It proceeds to focus on three independent films that use the cinematic apparatus as a means of publishing poetry. Waterworx, a film by Canadian Rick Hancox, recycles Wallace Stevens's “A Clear Day and No Memories” in a manner that confirms the accomplishment of the original poem while embedding it, subtly as well as evocatively, within the filmmaker's personal context. nebel (mist), by German filmmaker Matthias Müller, re-presents a cycle of poems by Ernst Jandl, Gedichte an die kindheit (Poems to Childhood). Müller's film carefully weaves a recitation of the Jandl poems together with a variety of “found” visual images, including shots from The Wizard of Oz and home movies made during the 1960s by the filmmaker's father, in a manner that provides evocative confirmations and counterpoints to Jandl's text. Canadian Clive Holden's Trains of Winnipeg republishes a set of the filmmaker's own poems from a book by the same name; it is the first feature film I am aware of that is entirely devoted to the presentation of poetic texts.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.961
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.263
Teacher spread0.239 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it