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Record W2054675248 · doi:10.5539/res.v1n2p64

Milan Kundera’s Slowness – Making It Slow

2009· article· en· W2054675248 on OpenAlex
Tim Jones

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueReview of European Studies · 2009
Typearticle
Languageen
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsSlownessNovellaRhetoricDeconstruction (building)LiteratureIdeal (ethics)PhenomenonAestheticsHistoryPhilosophyArtEpistemologyTheologyPhysics

Abstract

fetched live from OpenAlex

The Czechoslovak author Milan Kundera’s first novel in French, Slowness, compares the heady speed of contemporary life unfavourably with the slowness of the eighteenth-century, epitomised for Kundera’s narrator by Vivant Denon’s novella No Tomorrow. A deconstruction of Slowness’ arguments reveals that its narrator is complicit with the trends he decries and so his own rhetoric is as malignly influenced by speed as that of the twentieth-century characters he denounces. His representations of both No Tomorrow and the eighteenth-century phenomenon of libertinism are little more than deceptively happy soundbites. By glorifying the qualities of slowness but failing to demonstrate them, however, the novel encourages a transformation within its implied ideal reader that allows her to rise above the problematic conceits of its narrator and make of his work a genuinely slow text.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.420
Threshold uncertainty score0.347

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.096
GPT teacher head0.382
Teacher spread0.286 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it