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Record W2054886555 · doi:10.7202/019263ar

The Visual and the Self in Contemporary Poetry

2008· article· en· W2054886555 on OpenAlexvenueaboutno aff
Andrew Michael Roberts

Bibliographic record

VenueRomanticism and Victorianism on the Net · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryRomanceLiteratureRomanticismInflectionReading (process)ArtPhilosophyHistoryAestheticsArt historyLinguistics

Abstract

fetched live from OpenAlex

The dominance of the visual is often seen as a new and defining feature of contemporary culture. Yet it is Romantic poetry which most powerfully associates the act of seeing with understanding, self-shaping and the visionary. This article draws on the ideas of the Idealist philosopher J.G. Fichte and the German Romantic writers Novalis and F.W. Schlegel, as well as some of Walter Benjamin’s reading of their work, to explore the ways in which contemporary poetry engages with this Romantic legacy. Making connections with the metaphors of reflection and refraction used by Wordsworth and Coleridge, the article interprets examples of 21st-century post-Romantic text poetry (which revisits Romantic models with an ecological inflection), and digital poetry (which uses technology to reconfigure the relationship between text, self and the visual). More specifically, it proposes a set of relations between visual perception of the natural world, reflective thought and awareness of self in the work of three contemporary poets: Thomas A.Clark (born Greenock, Scotland, 1944), John Burnside (born Dunfermline, Scotland, 1955) and John Cayley (born Ottawa, Canada).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.009
Threshold uncertainty score0.021

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0060.048
Scholarly communication0.0090.007
Open science0.0010.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.239
Teacher spread0.209 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2008
Admission routes2
Has abstractyes

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Same venueRomanticism and Victorianism on the NetSame topicVisual Culture and Art TheoryFrench-language works237,207