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Record W2059166838 · doi:10.1177/1748048511420092

A critical analysis of US cultural policy in the global film market

2011· article· en· W2059166838 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueInternational Communication Gazette · 2011
Typearticle
Languageen
FieldSocial Sciences
TopicCultural Industries and Urban Development
Canadian institutionsSimon Fraser University
Fundersnot available
KeywordsHollywoodFilm industryGlobalizationSovereigntyPolitical economyIdeologyProtectionismGovernment (linguistics)PoliticsCommodificationPolitical scienceEconomicsMarket economyMovie theaterLaw

Abstract

fetched live from OpenAlex

By emphasizing contextualization between the film industry and government cultural policies in association with FTAs, this article historically examines the set of social relations and the interplay of power between the US and other countries (mainly non-western), as well as between the commercial interests of Hollywood and the critical political ideology of domestic film industries. It analyses whether the US, supported and lobbied by Hollywood, has hampered cultural diversity and sovereignty in other countries, particularly through the use of FTAs in the midst of neoliberal globalization. The article maps out how the US government has intensified its state power in the global cultural market. It articulates the consequences of FTAs in the realm of culture in several countries in order to determine the crucial influence of FTAs on domestic film and cultural markets. It is not an easy task to establish an exact correlation between FTAs and the deleterious consequences of signing FTAs for domestic film industries, therefore, the article discusses the more general, causal relationship between FTAs and consequences in domestic film industries.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.786
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.089
GPT teacher head0.394
Teacher spread0.305 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it