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Record W2060343114 · doi:10.2190/fwga-m9db-p9d4-11x6

Poetic Emotion and Poetic Style: The 100 Poems Most Frequently Included in Anthologies and the Work of Emily Dickinson

2004· article· en· W2060343114 on OpenAlexaff
Cynthia Whissell

Bibliographic record

VenueEmpirical Studies of the Arts · 2004
Typearticle
Languageen
FieldPsychology
TopicMultisensory perception and integration
Canadian institutionsLaurentian University
Fundersnot available
KeywordsPoetryStyle (visual arts)LiteraturePsychologyArtLinguisticsPhilosophy

Abstract

fetched live from OpenAlex

The 100 most frequently anthologized English poems and the work of Emily Dickinson were analyzed empirically in terms of emotion, sound, and style. Results for the 100 poems indicated that poetry was significantly more Pleasant, less Active, more highly Imaged, and in several ways more complex than normal everyday English. In terms of sounds, the 100 poems included significantly more Sad, Passive, Soft, and Pleasant sounds and fewer Active and Nasty sounds than everyday English. Because of relationships between measures, seven factors were sufficient to explain most of the differences among poems. The 100 most frequently anthologized poems are ranked individually in terms of these factors. The poems of Emily Dickinson were significantly less Pleasant, less Active, and more Negative, though containing more Active and Nasty sounds.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.627
Threshold uncertainty score0.545

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.128
GPT teacher head0.408
Teacher spread0.280 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations5
Published2004
Admission routes1
Has abstractyes

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