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Record W2063557146 · doi:10.7202/1013275ar

Parody, Terror and the Making of Forms: Blake’s Aesthetics of the Sublime in The Book of Urizen

2012· article· en· W2063557146 on OpenAlexvenueno aff
Hélène Ibata

Bibliographic record

VenueRomanticism and Victorianism on the Net · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicMoravian Church and William Blake
Canadian institutionsnot available
Fundersnot available
KeywordsSublimeSubversionAestheticsEnlightenmentArtReflexivityDimension (graph theory)PhilosophyLiteratureSociologyEpistemologySocial sciencePoliticsLawPolitical science

Abstract

fetched live from OpenAlex

In The Book of Urizen, Blake’s subversion of authoritative discourses includes a critique of Enlightenment aesthetics, and in particular a parody of the contemporary conception of the sublime. At the same time, however, the aesthetics of terror are displaced onto new grounds, as the artist draws attention to creative anxiety and the endless and laborious production process. This new emphasis, we show, is one of Blake’s most significant contributions to the debate on the sublime. As the self-reflexive dimension of The Book of Urizen attests, it is anchored in his own practice and in his awareness of the incommensurability of formal intentions and execution.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.007
Threshold uncertainty score0.027

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0060.029
Scholarly communication0.0050.005
Open science0.0010.002
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0030.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.218
Teacher spread0.198 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2012
Admission routes1
Has abstractyes

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Same venueRomanticism and Victorianism on the NetSame topicMoravian Church and William BlakeFrench-language works237,207