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Record W2070011962 · doi:10.7202/1001055ar

Vers une théorie du récit automatique

2011· article· fr· W2070011962 on OpenAlexaffvenue
Georges Nault

Bibliographic record

VenueCinémas Revue d études cinématographiques · 2011
Typearticle
Languagefr
FieldComputer Science
TopicNatural Language Processing Techniques
Canadian institutionsUniversité de Montréal
Fundersnot available
KeywordsHumanitiesArt

Abstract

fetched live from OpenAlex

Au-delà des méthodes traditionnelles d’écriture de scénarios, on peut vraisemblablement concevoir une utilisation des ordinateurs modernes et des techniques particulières à l’intelligence artificielle à des fins de support à la créativité et à l’imagination. L’auteur décrit comment il a pu construire une formalisation des théories narratives du récit suffisamment stricte et rigoureuse pour permettre l’élaboration et l’implantation d’un système de génération automatique de récits. Ce système expérimental repose en grande partie sur la capacité particulière aux ordinateurs de pouvoir générer et évaluer une grand nombre d’alternatives de récits possibles et cela dans des temps relativement courts. Un tel système se veut une aide à la création pour un éventuel scénariste et ne prétend aucunement remplacer l’humain dans sa tâche première de création.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.006
metaresearch head score (Gemma)0.020
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.029
Threshold uncertainty score0.096

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0060.020
Meta-epidemiology (narrow)0.0020.002
Meta-epidemiology (broad)0.0010.003
Bibliometrics0.0040.003
Science and technology studies0.0020.009
Scholarly communication0.0100.019
Open science0.0030.003
Research integrity0.0040.004
Insufficient payload (model declined to judge)0.0290.005

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.253
Teacher spread0.223 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2011
Admission routes2
Has abstractyes

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Same venueCinémas Revue d études cinématographiquesSame topicNatural Language Processing TechniquesFrench-language works237,207