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Record W2074606604 · doi:10.3138/md.46.2.261

Mapping the Placeless Place: Pedestrian Performance in the Urban Spaces of Los Angeles

2003· article· en· W2074606604 on OpenAlex
D. J. Hopkins

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueModern Drama · 2003
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsAmateurDisappointmentEPICArt historyPerformance artHistoryOperaArtCartographyVisual artsLiteraturePsychologyGeographyArchaeology

Abstract

fetched live from OpenAlex

On 19 January 1998, a review in the Los Angeles Times began with this unequivocal lead line: “Internationally renowned theater and opera director Peter Sellars has a new show in town, but there is no evidence that he, or anyone, directed the production of ‘Los Biombos / The Screens’ at the East L.A. Skills Center in Lincoln Heights”. Following this opening salvo, reviewer Laurie Winer went on to describe Sellars’ “3 1/2-hour epic gone wrong” in no uncertain terms. Although Winer expressed some disappointment that Gloria Alvarez’s adaptation lacked the “soulful nihilism” of Genet’s original, the review dwelt especially on the acting: “The cast is populated mostly by first-time or inexperienced actors. The dialogue […] is delivered with the ‘my line, your line’ rhythms unique to amateur theatrics. After half an hour of this, anyone without friends and relatives in the large cast will be champing at the bit. Three hours later, the will to live is a gift no longer taken for granted”

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.835
Threshold uncertainty score0.337

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.038
GPT teacher head0.222
Teacher spread0.184 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it