The guitar as an extension of the voice - Phonetic gestures underlying guitar timbre perception and description
Bibliographic record
Abstract
The guitar is an instrument that gives the player great control over timbre. Different plucking techniques involve varying the finger position along the string and the inclination between the finger and the string. Guitarists perceive subtle variations of these parameters and have developed a rich vocabulary to describe the tones they produce on their instrument. Vocal imitations - onomatopoeias - is another way to intuitively describe instrumental tones. The data that we collected showed that guitar tones can be consistently associated with different types of vowels depending on instrumental gesture parameters, suggesting that guitar tones can evoke "phonetic gestures" as defined in the motor theory of speech perception. In addition, these phonetic gestures seem to be at the origin of a large subset of commonly used verbal descriptors: open, oval, round, thin, closed, nasal, hollow, etc. These analogies can be explained by the comb-filter shaped spectral envelope of plucked-string instruments which emphasizes energy in the region of vocal formants. We conclude that, when technical difficulties have been surmounted, performers can use their musical instrument as an extension of their voice, the musical instruments allowing a virtuosic control of sound parameters similar to those involved in the paralinguistic elements of speech.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.002 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".