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Record W2088709865 · doi:10.7202/016699ar

Iconic Destiny and “The Lady of Shalott”: Living in a World of Images

2007· article· en· W2088709865 on OpenAlexvenueno aff
William R. McKelvy

Bibliographic record

VenueRomanticism and Victorianism on the Net · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsnot available
Fundersnot available
KeywordsDestiny (ISS module)Representation (politics)Context (archaeology)PoetryPower (physics)HistoryLiteraturePoint (geometry)Art historySociologyArtLawPolitical science

Abstract

fetched live from OpenAlex

This essay argues that “The Lady of Shalott” mirrors a moment in Britain’s age of industrialization when two machines in particular--the steam-press and the power-loom--had transformed ideas about intellectual and physical labor. Taking as a point of departure the poem’s well-documented visual canonization, I contend that non-verbal illustration is also a crucial historical category for understanding how the poem initially came to be. In this context, the many visual interpretations of “The Lady of Shalott” reflect Tennyson’s concerns about writing at a time when an illustrated print media had harnessed new powers of representation and replication.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.009
Threshold uncertainty score0.024

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0070.026
Scholarly communication0.0090.005
Open science0.0000.003
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.017
GPT teacher head0.235
Teacher spread0.217 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueRomanticism and Victorianism on the NetSame topicVisual Culture and Art TheoryFrench-language works237,207