The Thesis and the Book: A Guide for First-Time Academic Authors (review)
Bibliographic record
Abstract
Reviewed by: The Thesis and the Book: A Guide for First-Time Academic Authors Joyce Harrison (bio) Eleanor Harman, Ian Montagnes, Siobhan McMenemy, and Chris Bucci, eds. The Thesis and the Book: A Guide for First-Time Academic Authors, 2nd ed.Toronto: University of Toronto Press, 2003. Pp. x, 176. Paper: ISBN 0-8020-8588-1, $16.95. Cloth: ISBN 0-8020-8806-6, $33.00. For almost thirty years, The Thesis and the Book, edited by Eleanor Harman and Ian Montagnes and published in 1976, was the volume acquisitions editors recommended to newly minted PhDs wishing to publish their dissertations. It was not, strictly speaking, a book of advice, containing as it did musings on the publishing industry and on the worth of dissertations and comprising articles that originally appeared in Scholarly Publishing(now The Journal of Scholarly Publishing). As the decades wore on, the book's antiquated references and gender-exclusive language made it something of a museum piece, even as the advice it offered continued to be helpful and relevant. Fortunately, the editors of the second edition have found a way to retain, for the most part ,the best of the first edition while making the book more useful for authors. First, they have given it a subtitle, thus making its purpose more clearly evident. Second, the language is no longer gender biased. Third, three chapters from the first edition have been cut, two new chapters have been added, and the three parts of Olive Holmes's article 'Thesis to Book' have been fused into one. The volume opens with Francess Halpenny's 'The Thesis and the Book,' an effective starting point for the first edition that remains a sound opening piece, with valuable information presented in a polite tone. I do wish that the comment 'The new readers of a scholarly work may be imagined as a thousand or five thousand in number' (7), as well as some equally misleading remarks, had been changed or cut. The unfortunate hold-over from the first edition is the second chapter, Robert Plant Armstrong's 'The Dissertation's Deadly Sins.' I never liked this chapter in the first edition, partly because of its haughty tone but also because it's not all that useful. The editors did soften the language a bit for the second edition, but some traces of the original remain, for example, 'By regarding the dissertation as a pre-professional piece of work, the graduate school postpones its students' maturation [End Page 177]and encourages in them contentment with amateurishness and unprofessionalism' (11). Aren't the days of hyperbolic utterances à laProfessor Kingsfield in The Paper Chaseover? Even if they're not, they don't belong in a book like this. Armstrong's 'Revising the Dissertation and Publishing the Book,' which follows, was and is generally helpful, even though it retains a brief discourse on 'neurotic revisers' that, although it is a spot-on observation, is one that authors would find off-putting. It is followed by William Dowling's solid 'Avoiding the Warmed-Over Dissertation,' a staple of the first edition because of its approachable, first-person perspective. The heart of the first edition was Olive Holmes's three-part piece, an extremely practical, nuts-and-bolts guide to revision that appears in this new edition as one chapter: 'Thesis to Book: What to Get Rid of and What to Do with What Is Left.' All of the original material appears. My only quibble is that the abundant examples of the works and words of Great White Men – Emerson, Whitehead, Orwell, Einstein, Darwin, Dewey, et al. – remain. I'm thinking it might have been advantageous to update the references, thereby presenting a more diverse group. That criticism aside, the entire book is worth its price just for this sentence: 'Cutting a manuscript is not simply a way of reducing length; it is also a way of strengthening communication' (51). There are two new chapters. The first is 'An Academic Author's Checklist,' by Barbara Reitt. It is just that – a list of questions authors can ask themselves as they prepare and revise a manuscript. To my mind, it will be beneficial primarily for those...
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.018 |
| Meta-epidemiology (narrow) | 0.002 | 0.002 |
| Meta-epidemiology (broad) | 0.003 | 0.001 |
| Bibliometrics | 0.004 | 0.007 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.010 | 0.010 |
| Open science | 0.003 | 0.003 |
| Research integrity | 0.004 | 0.007 |
| Insufficient payload (model declined to judge) | 0.060 | 0.127 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".