MétaCan
Menu
Back to cohort
Record W2093795034 · doi:10.1080/03007766.2010.537928

The “Ground Zero” of Goth: Bauhaus, “Bela Lugosi's Dead” and the Origins of Gothic Rock

2012· article· en· W2093795034 on OpenAlexaboutno aff
Alexander Carpenter

Bibliographic record

VenuePopular Music & Society · 2012
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsStyle (visual arts)Context (archaeology)ArtSine qua nonLiteraturePalette (painting)Art historyHistoryVisual artsArchaeologyPhilosophyLinguistics

Abstract

fetched live from OpenAlex

This paper examines the early history of gothic rock, focusing on the British band Bauhaus and its 1979 single “Bela Lugosi's Dead” as the putative origins of gothic rock. Bauhaus was by no means the first band to be associated with a gothic sound/style; however, an investigation of the musico-cultural and historical context of the song, the critical discourse that developed around it, the aesthetic-philosophic influences that informed Bauhaus's style, and the sonic palette of “Bela Lugosi's Dead” locates the song as the launching point of gothic rock and the genre's sine qua non.1 [1] A preliminary version of this paper was presented at the 2008 Canadian chapter meeting of the International Association for the Study of Popular Music, Brock University, St. Catharines.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.110
Threshold uncertainty score0.219

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.015
Scholarly communication0.0050.002
Open science0.0010.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0080.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.218
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations29
Published2012
Admission routes1
Has abstractyes

Explore more

Same venuePopular Music & SocietySame topicMusic History and CultureFrench-language works237,207