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Record W2095797107

Coming to Terms with Photographs: Descriptive Standards, Linguistic "Othering," and the Margins of Archivy

2002· article· en· W2095797107 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueArchivaria · 2002
Typearticle
Languageen
FieldArts and Humanities
TopicHermeneutics and Narrative Identity
Canadian institutionsnot available
Fundersnot available
KeywordsContext (archaeology)Representation (politics)DigitizationMeaning (existential)PhotographyFocus (optics)Visual artsHistoryValue (mathematics)SociologyArtComputer scienceLawPolitical scienceEpistemologyPoliticsPhilosophy
DOInot available

Abstract

fetched live from OpenAlex

Cet article confronte certains postulats des archivistes concernant les photographies, en particulier en ce qu'ils faonnent le vocabulaire de notre pratique professionnelle.Il suggre que les archivistes, travers leurs normes et leurs pratiques, sont dans une large mesure responsables du fait que les utilisateurs des archives n'ont jamais apprci leur juste valeur les documents visuels.Parce que les photographies sont comprises et conserves de faon diffrente dans les bibliothques et les centres d'archives, l'article s'attache au discours institutionnel et aux pratiques de celles-ci, particulirement l'usage des termes special media et non-textual , l'adoption par les RDDA du terme graphic material pour dcrire l'art et la photographie et aux implications pour la numrisation la pice.L'auteure suggre enfin que, en adoptant un modle textuel de l'information consigne et un modle bibliographique de la classification des images, nous perptuons notre fixation sur le contenu factuel au lieu de se concentrer sur les origines fonctionnelles des images.En consquence, nous n'arrivons pas incorporer les ides nouvelles et stimulantes sur la ralit et la reprsentation, le contexte et le sens, et ce faisant, nous relguons les photographies aux marges de l'archivistique.ABSTRACT This essay confronts certain assumptions held by archivists relating to photographs, in particular, those which govern the terms we employ in our professional pursuits.It suggests that, if users of archives have persistently failed to appreciate the value of visual materials, then archivists -through their standards and practices -are, in large measure, responsible.Because photographs are understood and preserved in libraries and archives in different ways and for different reasons, institutional discourse, and the practices which are naturalized by and within them, are examined, with particular focus on the use of the terms "special media" and "non-textual," on the adoption by RAD of "graphic material" for art and photography, and on the implication for item-level digitization.Finally, it suggests that by embracing a textual model of recorded information and by adopting a bibliographic model of image classification, we continue to fixate on the factual content rather than the functional origins of visual images.As a result we fail to engage fully with new and exciting ideas about representation and reality, context and meaning, and in the process, relegate photographs to the margins of archivy.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.596
Threshold uncertainty score0.548

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.021
GPT teacher head0.211
Teacher spread0.189 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it