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Record W2101647168 · doi:10.7202/017855ar

Imitations of Insanity and Victorian Medical Aesthetics

2008· article· en· W2101647168 on OpenAlex
Peter Melville Logan

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueRomanticism and Victorianism on the Net · 2008
Typearticle
Languageen
FieldPsychology
TopicHistorical Psychiatry and Medical Practices
Canadian institutionsnot available
Fundersnot available
KeywordsInsanityPhysiognomyHAMLET (protein complex)PortraitAmbiguityLiteratureAestheticsPhilosophyArtPsychoanalysisHistoryLawSociologyPsychologyArt historyLinguisticsPolitical science

Abstract

fetched live from OpenAlex

The pre-eminent figure in mid-Victorian psychological medicine, Dr. John Conolly had his reputation damaged in the 1850s by scandals linking him to cases of wrongful confinement, including one that figures in Charles Reade’s novel, Hard Cash . This essay looks at two major works Conolly published during the scandals and argues that they are responses to the charges against him. Both works focus on representations of insanity in art, rather than actual patients. “The Physiognomy of Insanity” (1858-59) is a series of essays on photographic portraits of asylum patients, and his essays prove to be more fictional than factual. A Study of Hamlet (1863) looks at the ambiguity of madness in Shakespeare’s portrayal of Hamlet, but it explains how Conolly understood the relationship between fact and fiction in cases of insanity. In both works, Conolly defends himself as an aesthete and defines his diagnostic method as a deliberate and necessary form of impressionism.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.934
Threshold uncertainty score0.920

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.298
Teacher spread0.261 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it