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Record W2105346778 · doi:10.3138/cbmh.20.1.171

Special Supplement: “Creative/Artistic Narratives of Illness”

2003· article· en· W2105346778 on OpenAlexvenueaboutno aff
Richard Arnold, Marni Stanley, Donna Biffar, Dan Lukiv, Simmons Buntin, Marilyn Bowering, Kristoffer Schmidt, Allan Brown, Winona Baker

Bibliographic record

VenueCanadian Journal of Health History · 2003
Typearticle
Languageen
FieldMedicine
TopicEmpathy and Medical Education
Canadian institutionsnot available
Fundersnot available
KeywordsTheme (computing)PoetryNarrativeHistoryPublishingPlague (disease)The RenaissanceHebrewClassicsSwiftLiteratureArtArt historyAncient history

Abstract

fetched live from OpenAlex

Creative expressions of the personal experience of illness have been in the literature for at least three thousand years; the Hebrew Bible, for example, contains the stories of Job, Lazarus, the Centurion’s daughter, and many others who sickened and died. In the Middle Ages and Renaissance, plague and other diseases were rife in Europe, and some of the greatest poetry of Dante, Shakespeare, Jonson, Swift, etc., uses sickness as a central theme. Anne Bradstreet, “the first poet in America,” seems almost obsessed with infant and child mortality in her work - yet it was a common occurrence in daily life of the seventeenth century. In Victorian Canada, the Ontario psychiatrist R. M. Bucke recognized the unique ways literature and medicine could be explored, publishing a book on the well-known poet Walt Whitman. (The relationship of these two men is also the focus of a recent National Film Board production, Beautiful Dreamers - a film which, incidentally, is indebted to the research of CBMH editor Cheryl Krasnick Warsh).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.166
Threshold uncertainty score0.555

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.006
Meta-epidemiology (narrow)0.0020.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0040.004
Science and technology studies0.0030.001
Scholarly communication0.0040.003
Open science0.0010.004
Research integrity0.0030.003
Insufficient payload (model declined to judge)0.1660.030

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.299
Teacher spread0.269 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2003
Admission routes2
Has abstractyes

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