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Record W2131923518 · doi:10.3138/jrpc.25.3.372

Real or Not Real:<i>The Hunger Games</i>as Transmediated Religion

2013· article· en· W2131923518 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueJournal of Religion and Popular Culture · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicMedia, Religion, Digital Communication
Canadian institutionsnot available
Fundersnot available
KeywordsNegotiationModernityAestheticsPostmodernitySociologyJewish mysticismJudaismEpistemologyArtPhilosophySocial scienceTheology

Abstract

fetched live from OpenAlex

Abstract: Transmedia is a powerful mode of mediated storytelling. Resembling the mythic imaginaries of Jewish mysticism and Christian Gnosticism, transmedia encourages fans to perform their desire for wholeness and ultimate reality. The Hunger Games franchise does religious work of shaping desire for wholeness through fan culture by promising fans they can overcome fragmentation and experience reintegration. Cultural analyses of transmedia franchises have yet to look at the mythic pattern of fragmentation, negotiation, and reunification of self through transmedia and fan-based activities. What makes The Hunger Games distinctive is how it functions as a transmediated world and also exposes the necessity of negotiation with media to recognize the difference between artifice and reality. I conclude that The Hunger Games eschews both the singular reality of modernity and the fluid realities of postmodernity, instead advocating for a persistently critical perspective of all kinds of constructed worlds and all realities.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.189
Threshold uncertainty score0.571

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0010.001
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.255
Teacher spread0.231 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it