MétaCan
Menu
Back to cohort
Record W2132184901 · doi:10.1017/s135577180200208x

Control parameters for musical instruments: a foundation for new mappings of gesture to sound

2002· article· en· W2132184901 on OpenAlexaff
Daniel J. Levitin, Stephen McAdams, Robert Adams

Bibliographic record

VenueOrganised Sound · 2002
Typearticle
Languageen
FieldComputer Science
TopicMusic Technology and Sound Studies
Canadian institutionsMcGill UniversityCentre for Interdisciplinary Research in Music Media and Technology
Fundersnot available
KeywordsMusicalPianoComputer scienceContext (archaeology)Computer musicMetaphorControl (management)GestureHuman–computer interactionDomain (mathematical analysis)Sound (geography)Speech recognitionCognitive scienceAcousticsVisual artsArtArtificial intelligencePsychologyLinguisticsHistoryMathematicsPhilosophy

Abstract

fetched live from OpenAlex

In this paper we describe a new way of thinking about musical tones, specifically in the context of how features of a sound might be controlled by computer musicians, and how those features might be most appropriately mapped onto musical controllers. Our approach is the consequence of one bias that we should reveal at the outset: we believe that electronically controlled (and this includes computer-controlled)musical instruments need to be emancipated from the keyboard metaphor; although piano-like keyboards are convenient and familiar, they limit the musician's expressiveness (Mathews 1991, Vertegaal and Eaglestone 1996, Paradiso 1997, Levitin and Adams 1998). This is especially true in the domain of computer music,in which timbres can be created that go far beyond the physical constraints of traditional acoustic instruments.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.010
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.013
Threshold uncertainty score0.042

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.010
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0020.001
Science and technology studies0.0020.016
Scholarly communication0.0060.019
Open science0.0030.004
Research integrity0.0030.005
Insufficient payload (model declined to judge)0.0130.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.029
GPT teacher head0.244
Teacher spread0.215 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations63
Published2002
Admission routes1
Has abstractyes

Explore more

Same venueOrganised SoundSame topicMusic Technology and Sound StudiesFrench-language works237,207