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Record W2134001407 · doi:10.7202/1014605ar

La représentation des avant-gardes à la Semaine internationale demusique actuelle (Montréal, 1961)

2013· article· fr· W2134001407 on OpenAlexaffvenueabout
Johanne Rivest

Bibliographic record

VenueCanadian University Music Review · 2013
Typearticle
Languagefr
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsBibliothèque et Archives nationales du Québec
Fundersnot available
KeywordsArtHumanities

Abstract

fetched live from OpenAlex

Les avant-gardes des années 50 et 60 ont été marquées par l’appropriation de la technologie à des fins créatives. Elles visaient également la démocratisation de l’art en favorisant la participation simultanée de plusieurs intervenants et de diverses formes artistiques, d’une part, et en désinvestissant le créateur du pouvoir décisionnel absolu, d’autre part. La Semaine internationale de musique actuelle, organisée par Pierre Mercure à Montréal en 1961, exemplifie ces aspects par le recours à la multidisciplinarité et à la musique électroacoustique, alors en plein essor. Elle accueillait donc certains des plus illustres représentants de l’avant-garde mondiale d’alors, en musique surtout, mais également en danse, en cinéma et en arts visuels, et ce, malgré les contraintes économiques de l’époque, qui ont pourtant eu un impact sur la provenance des œuvres.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.076
Threshold uncertainty score0.417

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0060.012
Science and technology studies0.0080.008
Scholarly communication0.0060.002
Open science0.0010.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0240.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.243
Teacher spread0.217 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations11
Published2013
Admission routes3
Has abstractyes

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Same venueCanadian University Music ReviewSame topicLiterature, Musicology, and Cultural AnalysisFrench-language works237,207