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Record W2140381633 · doi:10.7202/1005275ar

Notes sur l’esthétique de la rumba congolaise

2011· article· fr· W2140381633 on OpenAlexvenueno aff
Bob W. White

Bibliographic record

VenueCircuit Musiques contemporaines · 2011
Typearticle
Languagefr
FieldArts and Humanities
TopicCaribbean and African Literature and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtPhilosophyEthnologyHistory

Abstract

fetched live from OpenAlex

La rumba congolaise de la musique populaire de la République démocratique du Congo est devenue en quelque sorte une musica franca pour une bonne partie de l’Afrique sub-saharienne. Les Congolais d’aujourd’hui aiment dire que leur musique a colonisé le continent, mais cette musique, fortement influencée par ses racines afro-cubaines, a subi un nombre important de transformations esthétiques depuis son émergence sous le régime de la colonie belge. Bien que ce genre musical ait une longue histoire, il y a relativement peu de recherche à son sujet, surtout en ce qui concerne ses aspects esthétiques. En mettant l’accent sur certaines caractéristiques de ces chansons, cet article tente d’expliquer comment la musique populaire à Kinshasa vise à transcender la crise économique et politique que le pays vit depuis plusieurs générations : la conjoncture. En s’inspirant de la philosophie herméneutique de Gadamer, la métaphore de l’écoute est proposée pour nous faire prendre conscience que l’impossibilité d’entendre la musique de l’Autre de son point de vue à lui ne devrait pas nous empêcher d’essayer d’écouter.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.091
Threshold uncertainty score0.180

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0070.005
Scholarly communication0.0020.001
Open science0.0000.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0060.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.228
Teacher spread0.183 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

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Same venueCircuit Musiques contemporainesSame topicCaribbean and African Literature and CultureFrench-language works237,207